Twenty Five Twenty One: An emotional masterpiece; Nam Joo-hyuk, Kim Tae-ri’s raw romance is a painful ride
Twenty Five-Twenty One is a stunning, wholesome, and but bittersweet portrayal of friendships that struggles to stand the take a look at of time.
It’s over and we can heave a sigh of relief. Twenty Five-Twenty-One has come to an end, after maintaining us on our toes for sixteen episodes. The writers have been merciless to the target market — they didn’t supply us the solutions we so craved in view that Episode 1, and alternatively stored taunting us with cruel hints.
The anxiety and suspense about the destiny of the protagonists stored constructing slowly from the first episode, achieving a crescendo until the finale, that had atoms of sweet, in so a great deal bitter. The journey has been breathless and brutal, if I may additionally be trustworthy — however oh, the emotional pay-offs have been so definitely really worth it.
While the romance felt consuming
the splendor of the exhibit used to be that it used to be about so a good deal more, that by using the give up you simply sense alternatively drained and exhausted.
Who knew that a apparently innocent-sounding drama would be some thing like the Squid Game of romances? At its heart, Twenty Five-Twenty One juggles with many subject matters — the activity of fencing, the one-of-a-kind phases of love, unconditional friendship, the compulsion to mature in the course of excruciating circumstances, the choices that can smash an person emotionally and but chart their career, and dwelling at some stage in politically charged times.
We’re added to the exhibit via the eyes
of a younger baby named Kim Min-chae, who discovers her mother’s diaries from the 90’s. It is thru her that we meet the rebellious and brazenly blunt Na Hee-do (Kim Tae-ri), whose ardour for the game of fencing doesn’t let her see plenty else. She befriends the as a substitute battered Baek Yi-jin (Nam Joo-hyuk), who is struggling to construct his existence once more after the disastrous IMF economic disaster in South Korea. An not going but restoration friendship is shaped between the two of them that isn’t hampered even by way of distance or unexpected disappearances.
It’s the time of the 90s when
the world used to be except the web and Whatsapp, and but these two locate a way to be of aid every different by using payphone calls, when they can’t be close to every other. You recognize they’ll fall in love eventually, but that isn’t the factor of the show. There is some thing stunning in gazing this extraordinary and humorous friendship evolve over a span of a number of years, except expectations and profound explanations. The chemistry is addictive, nearly hypnotic between Nam Joo-hyuk and Kim Tae-ri. The affection for each different is embedded in every smile, head shake, and their lingering hugs.
The magical and unconditional love that is so central to Korean dramas isn’t born instantly, now not even when Yi-jin confesses his love honestly to Na Hee-do the first time. She is aware of she feels strongly for him, however is it honestly love, she wonders. Slowly, she finds the reply herself, as she waits for him as he struggles to make a career.
We analyze with her as well—the distinct colorations of their love
simply like the rainbow, in the front of which they confess for the first time. It begins with friendship, grows into a deeper attraction, and then the gradual perception of romantic love, with its ache and bittersweet heartbreak. But the love of your early life is now not the bliss you dream that it is—-and the younger characters are unsure whether or not they can lift every other’s arduous burdens. It’s nearly onerous to watch, and dread starts offevolved to seep in as you begin wondering, will this relationship survive?
Friendship and competition
is sports activities is central to Twenty Five-Twenty One. As her faculty shuts down the fencing club, Na Hee-do is transferred to some other faculty which houses her idol in the sport, Yu Rim. Yu-rim is bloodless and apparently bitter, due to the fact she has had to develop up faster than others, and shoulders extra burdens than any 16-year-old should.
The two spar on severa activities and their conflicts are taken to the global arena, when a small second throughout a fundamental fencing fit outcomes in a victory for Naa Hee-do, some thing that Yu-rim can’t accept. Yet, via a collection of healthful and genuinely hilarious circumstances, they emerge as friends, nearly sisters. There is no room for pettiness; existence is too quick for that. Perhaps, it’s simply simpler to make memories.
Life comes full circle when they spar as soon as again, this time for extraordinary countries. Emotions run wild, and the remaining victory doesn’t style sweet.
Their friendship is effective in the front of the media of both the international locations that had labored challenging to pit them towards every other, and in one of the most heart-wrenching scenes of the show, they spoil down and hug after the match. The value of the healthy is seen in their tousled hair and tear-ridden sweaty faces as they take off their masks and face every other. As they say, no one will understand how challenging this suit used to be for each of them.
The restlessness, and wish for solutions units in early in the show. The knife twists brutally at instances simply after exciting comedian scenes, barring you awaiting it, and your creativeness starts offevolved to run wild. By Episode 7, we’re death to understand if Kim Min-chae is Yi-jin and Na Hee-do’s daughter, and Yi-jin’s whereabouts in the present.
The suspense is too a good deal to bear
and the innumerable theories thrown with the aid of followers on Reddit and YouTube are testomony to that. Did he die, did she get amnesia, or did they divorce? Ah, for these answers, you have to go through the identical journey the relaxation of us did, and watch the show.
We’re all Kim Min-chae via Episode 14, attempting to piece the puzzle together, bawling at the separations and the reunions of our lead couple. Yet, the exhibit reminds us, existence isn’t about that ‘happy ending’. The ending is a punch in the gut; it’s a brutal cognizance that lifestyles isn’t a fairytale. Sometimes, the most recuperation moments are temporary, although the consequences resonates during our lives.
The unhappy phase is, we don’t desire the realism
We prefer the fairytale. The ending nearly feels like a diabolic betrayal and I nearly didn’t favor to be given it, due to the fact I refused to accept as true with that after eight weeks of wholesomeness and the seeming remedy of a romcom, this would how it end. Who desires realism, isn’t lifestyles enough?
Twenty Five-Twenty One is a stunning, wholesome
and but bittersweet portrayal of friendships that hostilities to stand the take a look at of time. The refined nuances to every personality brilliantly shines through, from Yi-jin’s desperation to do some thing to keep away from falling returned into the pit of despair from which he had climbed out of, Na Hee-do wrestling with her love for fencing, her father’s surprising death, new attractions, and her sisterhood with Yu-rim.
The increase in every personality is seen at some point of the path of sixteen episodes, and at instances it’s nearly painful to watch. Na Hee-do’s perky and chirpy mind-set slowly ebbs away as she learns the fee of enjoyable desires and a relationship that used to be less difficult as a friendship, whilst Yi-jin realizes the emotional toll of being a reporter at some stage in a devastating world crisis.
Nothing comes convenient for all of us — now not even if you’re world-champion in fencing, or a reporter who has the get admission to to great exclusives. Dreams may additionally persist; fact is some thing else. Yet, with a little bit bit of love and friendship, you would possibly discover a purpose to preserve on.